Abstract: This paper focuses upon three such painters working in
France from this time and their representations both of their host
country in which they found themselves displaced, and of their
homeland which they represent through refracted memories from their
new perspective in Europe. What is their representation of France and
China´╝ÅTaiwan? Is it Otherness or an origin?
This paper also attempts to explore the three artists- diasporic lives
and to redefine their transnational identities. Hou Chin-lang, the
significance of his multiple-split images serve to highlight the intricate
relationships between his work and the surrounding family, and to
reveal his identity of his Taiwan “homeland". Yin Xin takes paintings
from the Western canon and subjects them to a process of
transformation through Chinese imagery. In the same period, Lin
Li-ling, transforms the transnational spirit of Yin Xin to symbolic
codes with neutered female bodies and tatoos, thus creates images that
challenge the boundaries of both gender and nationality.