Valorization and Conservation of Rock Paintings and Engravings of Kabylia Region, Algeria

In Algeria, the most impressive and most known
prehistoric art is the painted or engraved rock art which is present
with abundance in several regions. The existence of rock art in Great
Kabylia region has been known for over sixty years. The main purpose of this research is to show the dangers facing
these rock paintings and engravings and what are the arrangements
for their protection and recovery. As every vestige destroyed is a part of the world's memory which
disappears, some steps have to be taken in order to protect these
historical and archaeological heritages.

• S. Ait Ali Yahia

• Kabylia
• preservation
• rock paintings and engravings
• valorization.

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[2] “L’Inscription d'Ifigha,” in Revue archéologique juillet-décembre 1909 (4e sér., t. XIV), Paris, E. Leroux, p. 387-415.
[3] N. Saidani ,T. Irbouh., “Inventaire des sites et vestiges archéologiques des régions :Yakouren et Ifigha (Grande Kabylie) ,” Mémoire de fin d'étude Licence, 2008.
[4] S. Boulifa, “Notice sur l’inscription libyque d’Ifigha (mission Haut Sebaou) ,” in revue archeologique, Paris 1909, p.411.
[5] J.B. Chabot, “Recueil des inscriptions libyques,” ed. Imprimerie national, Paris, 1940, p.848.
[6] S. Ait Ali Yahia, “The Libyic writing,” World Academy of Science, Engineering and Technology. International Journal of Social, Education, Economics and Management Engineering Vol:8, No:6, 2014. http://waset.org/Publication/the-libyc-writing/9998576