Digital Sites- Performative Views

Webcam systems now function as the new privileged vantage points from which to view the city. This transformation of CCTV technology from surveillance to promotional tool is significant because its'scopic regime' presents, back to the public, a new virtual 'site' that sits alongside its real-time counterpart. Significantly, thisraw 'image' data can, in fact,be co-optedand processed so as to disrupt their original purpose. This paper will demonstrate this disruptive capacity through an architectural project. It will reveal how the adaption the webcam image offers a technical springboard by which to initiate alternate urban form making decisions and subvert the disciplinary reliance on the 'flat' orthographic plan. In so doing, the paper will show how this 'digital material' exceeds the imagistic function of the image; shiftingit from being a vehicle of signification to a site of affect.




References:
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[2] R. Krauss, ÔÇÿ"Informe" without Conclusion-, October, Vol. 78(pp. 89-
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[3] Ibid.
[4] D. Hollier, Against Architecture: The Writings of Georges Bataille,
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[5] M. B. N. Hansen, New Philosophy for New Media, Cambridge,
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[6] M. B. N. Hansen, New Philosophy for New Media, Cambridge,
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[8] R. Krauss, ÔÇÿ"Informe" without Conclusion-, October, Vol. 78, (pp. 89-
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[9] Y. Bois, ÔÇÿTo Introduce a User's Guide-, October, Vol. 78 (pp. 21-37), p.
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