The Influence of Islamic Arts on Omani Weaving Motifs
The influence of Islam on arts can be found primarily
in calligraphy, arabesque designs and architecture. Also, geometric
designs were used quite extensively. Muslim craftsmen produced
stunning designs based on simple geometric principles and traditional
motifs which were used to decorate many surfaces. The idea of
interlacing simple rectilinear lines to form the patterns impressed
Arabs. Nomads of Persia, Turks and Mongols were equally
impressed with the designs so they begin to use them in their homes
in carpet weaving. Islamic designs, motifs and colours which were
used became common place and served to influence people’s tastes.
Modern life style and contemporary products have changed the style
of people’s daily lives, however, people still long for the nomadic
way of life. This is clearly reflected in people’s homes. In a great
many Muslim homes, Islamic decorative motifs can be seen along
with traditional ‘Bedouin’ style furnishing, especially in homes of the
Arabian Peninsula.
[1] Abas, S. J., & Salman, A. S. (1995). Symmetries of Islamic Geometrical
Patterns. London, UK: World Scientific.
[2] Al-Alfi, A. (1985). The History of Art. Cairo, Egypt: Dar Alnahdh.
[3] Alhambra Palaces. (2009, September 8). Retrieved from:
http://www.mutir.com
[4] Arabesque patterns. (2008, April 7). Retrieved from
http://v.3bir.net/257583/
[5] Aziz, K. (2004). The Meaning of Islamic Art- Explorations in religious
symbolism and social relevance (Vol. II). Lahore, Pakistan: Alfaisal
Publisher.
[6] Chebel, M. (1997). Symbols of Islam. (E. Assouline, Trans.) Paris,
France: Editions Assouline.
[7] Nasser, S. (1993). The Early History of Weaving. Cairo, Egypt: The
House of Publication.
[8] Qanso, A. (1995). The Arabic Painting Tradition. Kuwait, Kuwait: The
Knowledge World.
[9] Rezequ, A. (2006). The Arabic Islamic Arts in Egypt. Cairo: Madboly
Library.
[10] Stewart, D. (1968). Early Islam. Netherland, N.V.: Time-Life
International.
[11] The Dome of the Rock. (2009, October 11). Retrieved from
http://www.ikhwan.net
[12] Wendel, T. A. (2002). Symbols of Islam. New York, U.S.A: Sterling
Publishing.
[13] Wilson, E. (1988). Islamic Designs. London, U.K.: British Museum
Publications.
[14] Yassen, A. (2006). The Religious symbolism in Islamic patterns. Cairo,
Egypt: Zahrat Alsharqu.
[1] Abas, S. J., & Salman, A. S. (1995). Symmetries of Islamic Geometrical
Patterns. London, UK: World Scientific.
[2] Al-Alfi, A. (1985). The History of Art. Cairo, Egypt: Dar Alnahdh.
[3] Alhambra Palaces. (2009, September 8). Retrieved from:
http://www.mutir.com
[4] Arabesque patterns. (2008, April 7). Retrieved from
http://v.3bir.net/257583/
[5] Aziz, K. (2004). The Meaning of Islamic Art- Explorations in religious
symbolism and social relevance (Vol. II). Lahore, Pakistan: Alfaisal
Publisher.
[6] Chebel, M. (1997). Symbols of Islam. (E. Assouline, Trans.) Paris,
France: Editions Assouline.
[7] Nasser, S. (1993). The Early History of Weaving. Cairo, Egypt: The
House of Publication.
[8] Qanso, A. (1995). The Arabic Painting Tradition. Kuwait, Kuwait: The
Knowledge World.
[9] Rezequ, A. (2006). The Arabic Islamic Arts in Egypt. Cairo: Madboly
Library.
[10] Stewart, D. (1968). Early Islam. Netherland, N.V.: Time-Life
International.
[11] The Dome of the Rock. (2009, October 11). Retrieved from
http://www.ikhwan.net
[12] Wendel, T. A. (2002). Symbols of Islam. New York, U.S.A: Sterling
Publishing.
[13] Wilson, E. (1988). Islamic Designs. London, U.K.: British Museum
Publications.
[14] Yassen, A. (2006). The Religious symbolism in Islamic patterns. Cairo,
Egypt: Zahrat Alsharqu.
@article{"International Journal of Business, Human and Social Sciences:71118", author = "Zahra Ahmed Al-Zadjali", title = "The Influence of Islamic Arts on Omani Weaving Motifs", abstract = "The influence of Islam on arts can be found primarily
in calligraphy, arabesque designs and architecture. Also, geometric
designs were used quite extensively. Muslim craftsmen produced
stunning designs based on simple geometric principles and traditional
motifs which were used to decorate many surfaces. The idea of
interlacing simple rectilinear lines to form the patterns impressed
Arabs. Nomads of Persia, Turks and Mongols were equally
impressed with the designs so they begin to use them in their homes
in carpet weaving. Islamic designs, motifs and colours which were
used became common place and served to influence people’s tastes.
Modern life style and contemporary products have changed the style
of people’s daily lives, however, people still long for the nomadic
way of life. This is clearly reflected in people’s homes. In a great
many Muslim homes, Islamic decorative motifs can be seen along
with traditional ‘Bedouin’ style furnishing, especially in homes of the
Arabian Peninsula.", keywords = "Cultural heritage, textile design, Islamic art, motifs.", volume = "9", number = "10", pages = "3459-4", }