The mosques have been appearance in Thailand since
Ayutthaya Kingdom (1350 to 1767 A.D.) Until today, more than 400 years later; there are many styles of art form behind their structure.
This research intended to identify Islamic Art in Thai mosques. A framework was applied using qualitative research methods; Thai
Muslims with dynamic roles in Islamic culture were interviewed. In
addition, a field survey of 40 selected mosques from 175 Thai
mosques was studied. Data analysis will be according to the pattern
of each period. The identification of Islamic Art in Thai Mosques are
1) the image of Thai identity: with Thai traditional art style and Government policy. 2) The image of the Ethnological identity: with
the traditional culture of Asian Muslims in Thailand. 3) The image of
the Nostalgia identity: with Islamic and Arabian conservative style.
4) The image of the Neo Classic identity: with Neo – Classic and
Contemporary art. 5) The image of the new identity: with Post
Modern and Deconstruction art.
[1] The Halal Standard Institute of Thailand. 2009. Thailand Halal Directory
2008 - 2009. Bangkok: The Center Islamic Committee of Thailand.
[2] Moustafa, N. 2008. Divine Inspiration: Seven Principles of Islamic Architecture. Malaysia: Islamic Arts Museum Malaysia.
[3] Bloom, J. and Blair, S. 2008. Islamic Arts. New York, USA: Phaidon Press Ltd.
[4] Raksamani, A. I. 2009. The concept of The Mosques in Bangkok. Bangkok, Chulalongkorn University.
[5] Chularatana, J. 2005. The Persian art in Siam: Indo-Iran art in Ayutthaya Kingdom. Bangkok, Art and Culture, issue 26.
[6] Chularatana, J. 2005. The Persian art in Siam: Indo-Iran art in
Ayutthaya Kingdom. Bangkok, Art and Culture, issue 26.
[7] Raksamani, A. I. 2009. The concept of The Mosques in Bangkok. Bangkok, Chulalongkorn University.
[8] Moustafa, N. 2008. Divine Inspiration: Seven Principles of Islamic Architecture. Malaysia: Islamic Arts Museum Malaysia.
[1] The Halal Standard Institute of Thailand. 2009. Thailand Halal Directory
2008 - 2009. Bangkok: The Center Islamic Committee of Thailand.
[2] Moustafa, N. 2008. Divine Inspiration: Seven Principles of Islamic Architecture. Malaysia: Islamic Arts Museum Malaysia.
[3] Bloom, J. and Blair, S. 2008. Islamic Arts. New York, USA: Phaidon Press Ltd.
[4] Raksamani, A. I. 2009. The concept of The Mosques in Bangkok. Bangkok, Chulalongkorn University.
[5] Chularatana, J. 2005. The Persian art in Siam: Indo-Iran art in Ayutthaya Kingdom. Bangkok, Art and Culture, issue 26.
[6] Chularatana, J. 2005. The Persian art in Siam: Indo-Iran art in
Ayutthaya Kingdom. Bangkok, Art and Culture, issue 26.
[7] Raksamani, A. I. 2009. The concept of The Mosques in Bangkok. Bangkok, Chulalongkorn University.
[8] Moustafa, N. 2008. Divine Inspiration: Seven Principles of Islamic Architecture. Malaysia: Islamic Arts Museum Malaysia.
@article{"International Journal of Business, Human and Social Sciences:64283", author = "Pibool Waijittragum", title = "A Trace of Islamic Art in Thai Mosques", abstract = "The mosques have been appearance in Thailand since
Ayutthaya Kingdom (1350 to 1767 A.D.) Until today, more than 400 years later; there are many styles of art form behind their structure.
This research intended to identify Islamic Art in Thai mosques. A framework was applied using qualitative research methods; Thai
Muslims with dynamic roles in Islamic culture were interviewed. In
addition, a field survey of 40 selected mosques from 175 Thai
mosques was studied. Data analysis will be according to the pattern
of each period. The identification of Islamic Art in Thai Mosques are
1) the image of Thai identity: with Thai traditional art style and Government policy. 2) The image of the Ethnological identity: with
the traditional culture of Asian Muslims in Thailand. 3) The image of
the Nostalgia identity: with Islamic and Arabian conservative style.
4) The image of the Neo Classic identity: with Neo – Classic and
Contemporary art. 5) The image of the new identity: with Post
Modern and Deconstruction art.", keywords = "Islamic Art, Thai Mosques, Floral Arabesque, Geometric Form, Arabic Calligraphy.", volume = "6", number = "11", pages = "3352-4", }