The Influence of Ancient Artifacts on Contemporary Culture (exemplified by the Painting and Sculpture of Kazakhstan)
Petroglyphs, stone sculptures, burial mounds, and
other memorial religious structures are ancient artifacts which find
reflection in contemporary world culture, including the culture of
Kazakhstan. In this article, the problem of the influence of ancient
artifacts on contemporary culture is researched, using as an example
Kazakhstan-s sculpture and painting. The practice of creating
petroglyphs, stone sculptures, and memorial religious structures was
closely connected to all fields of human existence, which fostered the
formation of and became an inseparable part of a traditional
worldview. The ancient roots of Saka-Sythian and Turkic nomadic
culture have been studied, and integrated into the foundations of the
contemporary art of Kazakhstan. The study of the ancient cultural
heritage of Kazakhstan by contemporary artists, sculptors and
architects, as well as the influence of European art and cultures on the
art of Kazakhstan are furthering the development of a new national
art.
[1] Arystanbek Mukhamediuly, "The Art of Sovereign Kazakhstan and
UNESCO: from the History of Cultural Cooperation" in Prostor, Vol. 7,
2011.
[2] Bailey H. W., "Saka of Khotan and Wakhan. - "Pratidanam. Indian,
Iranian and Indo-European Studies, presented to F.B.J. Kuiper". Den-
Haag-Paris, 1968.
[3] Pekkanen ðó., "The First References to the Silk Road in Classical
Literature". - Traces of the Central Asian Culture in the North, Helsinki,
1986.
[4] Debaine-Francfort C., "Century Les Saka du Xinjiang avant les Han
(206-220 ap. J.-Century): Criteres d'identification" - Nomades et
SðÁdentaires en Asie Centrale. Paris, 1990.
[5] Ulansey D. "The Origins of the Mithraic Mysteries: Cosmology and
Salvation in the Ancient World", Oxford University Press, 1991,
(http://pcc.ciis.edu/mithras.html).
[6] Harmatta Y., Languages and Scripts in Graeco-Bactria and the Saka
Kingdoms, - HCCA, vol.ðåðå, UNESCO, 1992.
[7] E. Jacobson, "The Art of the Scythians: The Interpenetration of Cultures
at the Edge of the Hellenic World". Leiden, Holland: E. J. Brill, 1995.
[8] L'uomo d'oro, "La cultura delle steppe del Kazakstan dali' eta del bronso
alle grandi migrazioni". Milano, Ôäû 456, 1998.
[9] Joan Aruz, Ann Farkas, Elisabetta Valtz Fino, "The Filippovka Deer:
Inquiry into their North Asian Sources and Symbolic Significance. " In
The Golden Deer of Eurasia: Perspectives on the Steppe Nomads of the
Ancient World, 182-195. New York: Metropolitan Museum of Art,
2006.
[10] Claudia Chang, Katharine S. Guroff , "The Issyk Headdress: Symbol and
Meaning in the Iron Age Nomadic Culture." In Of Gold and Grass:
Nomads of Kazakhstan, The Foundation for International Arts and
Education, 2008.
[11] Alimbai Nursan, "Le monde de la culture nomade des kazakhs //
Kazakhstan: hommes, betes et dieux de la steppe.", Paris: Guimet, 2010.
[12] Kairanov, E.B., "The Features of the Development of Monumental Art
of Kazakhstan in the XIX - XX Centuries" Sbornik Nauchnikh Trudov,
St. Petersburg State Academic Institute of Painting, Sculpture and
Architecture named for I.E. Repin, Volume 18, July - September, 2011,
St. Petersburg, Russia, pages 146-157.
[13] Valikhanov, Shota, "Rozhdenie Monumenta Nezavisimosti", ["Birth of
Independence Monument"], architectural magazine "Kumbez", Almaty,
1998- Ôäû3, ÐüÐéÐÇ. 16-19.
[14] S.E. Azhigali, "Stone Memorials of nomads of Aral and Kaspij region as
historical and ethnographical source.", The integration of archaeological
and ethnographic research: Collection of scientific papers/ edited by
A.G. Selezneva, N.A. Tikhonova, N.A.Tomilova. - Nalchik, Omsk.
Publisher State Pedagogical University of Omsk, 2001.
[15] M.S. Bulatov, A.V. Arapov and Yu. G. Tuichieva, "Kosmogramy
rannih islamskih mavzoleev" [Kosmograms of Early Islamic
Mausoleums in Central Asia]. Moscow: International Academy of
Architecture, 2002
[16] Akishev, A., "Animal" Style of Saka at the Top of Development Culture
of Saka and Wu-sun of Kazakhstan in arheological collections of sentral
state museum of the Republic of Kazakhstan." Scientific catalogue-
ðÉlmaty: "Oner", ÐüÐéÐÇ. 33-34, 2011.
[17] Kliashtornyi, S.G., Sultanov, T.I., "Kazakhstan. Chronicles of a
Millenium", Alma-Ata, 1992.
[18] Bella Vainberg, "The Ethnogeography of Turan in Antiquity. VII
Century B.C. to VIII Century B.C. " Russian Academy of Sciences,
Institute of Ethnology and Anthropology named for N.N. Miklukho-
Maklay. Moscow: Vostochnaya Literatura, Russian Academy of
Sciences, 1999.
[19] Sarianidi, V.I., "Treasures of the Golden Hill", Moscow: Nauka I
Chelovechestvo, 1983.
[20] Oswald Spengler, "The Decline of the West . World Historical
Perspectives", Vol. 1. Moscow: Mysl-, 1993, pp. 342.
[21] Turenkulova, N., Turekulov, T., "The Golden Man and His View of the
World", Kumbez, Volume 3, 1998, Almaty, pp. 32-35.
[22] Arystanbek Mukhamediuly, "From the Golden Warrior to the Golden
Age. Dedicated to the 20th Anniversary of the Independence of
Kazakhstan", in the national newspaper Kazakhstanskaya Pravda, June
1, 2012, Almaty, 2012.
[23] Ergalieva, R.A., "Kazakh Art of the XX Century and Traditional
Spirituality", Digest of the International Scientific-Practical Conference,
Institute of Literature and Art named for M.O. Auezov, Almaty, "Ysh
Kian" Publisher, 2004.
[24] Karymsakov, A.Zh., "The Educational Dimension of the Works of
Artists of Contemporary Kazakhstan Who Depict National History".
Sbornik Nauchnikh Trudov, St. Petersburg State Academic Institute of
Painting, Sculpture and Architecture named for I.E. Repin, Volume 18,
July-September, 2011, St. Petersburg, Russia.
[25] Toynbee, A.J., "A Study of History" (translation from English), compiler
A.P. Ogurtsov; introduction, V.I. Ukolovoi; afterword, E.B.
Rashkovskii. Moscow: Progress, 1996. 608 pp.
[26] Shalabaeva, G.K., "The Role and Meaning of the Fine Arts in the
Integration into World Culture", Digest of articles from the Scientific-
Practical Roundtable "Paths to Integration of the Culture of Kazakhstan
onto the World Stage", Almaty: "Shelkovyi Put-", 2011.
[27] Sydykhanova, Z.A., "Abdrashyt Sydykhanov", Masters of Fine Arts of
Kazakhstan, Volume 3, Almaty, 2004.
[28] Omirbekov, B.E., "Agymsaly Duzel-khanov". Album. - Almaty: Oner,
2005.
[1] Arystanbek Mukhamediuly, "The Art of Sovereign Kazakhstan and
UNESCO: from the History of Cultural Cooperation" in Prostor, Vol. 7,
2011.
[2] Bailey H. W., "Saka of Khotan and Wakhan. - "Pratidanam. Indian,
Iranian and Indo-European Studies, presented to F.B.J. Kuiper". Den-
Haag-Paris, 1968.
[3] Pekkanen ðó., "The First References to the Silk Road in Classical
Literature". - Traces of the Central Asian Culture in the North, Helsinki,
1986.
[4] Debaine-Francfort C., "Century Les Saka du Xinjiang avant les Han
(206-220 ap. J.-Century): Criteres d'identification" - Nomades et
SðÁdentaires en Asie Centrale. Paris, 1990.
[5] Ulansey D. "The Origins of the Mithraic Mysteries: Cosmology and
Salvation in the Ancient World", Oxford University Press, 1991,
(http://pcc.ciis.edu/mithras.html).
[6] Harmatta Y., Languages and Scripts in Graeco-Bactria and the Saka
Kingdoms, - HCCA, vol.ðåðå, UNESCO, 1992.
[7] E. Jacobson, "The Art of the Scythians: The Interpenetration of Cultures
at the Edge of the Hellenic World". Leiden, Holland: E. J. Brill, 1995.
[8] L'uomo d'oro, "La cultura delle steppe del Kazakstan dali' eta del bronso
alle grandi migrazioni". Milano, Ôäû 456, 1998.
[9] Joan Aruz, Ann Farkas, Elisabetta Valtz Fino, "The Filippovka Deer:
Inquiry into their North Asian Sources and Symbolic Significance. " In
The Golden Deer of Eurasia: Perspectives on the Steppe Nomads of the
Ancient World, 182-195. New York: Metropolitan Museum of Art,
2006.
[10] Claudia Chang, Katharine S. Guroff , "The Issyk Headdress: Symbol and
Meaning in the Iron Age Nomadic Culture." In Of Gold and Grass:
Nomads of Kazakhstan, The Foundation for International Arts and
Education, 2008.
[11] Alimbai Nursan, "Le monde de la culture nomade des kazakhs //
Kazakhstan: hommes, betes et dieux de la steppe.", Paris: Guimet, 2010.
[12] Kairanov, E.B., "The Features of the Development of Monumental Art
of Kazakhstan in the XIX - XX Centuries" Sbornik Nauchnikh Trudov,
St. Petersburg State Academic Institute of Painting, Sculpture and
Architecture named for I.E. Repin, Volume 18, July - September, 2011,
St. Petersburg, Russia, pages 146-157.
[13] Valikhanov, Shota, "Rozhdenie Monumenta Nezavisimosti", ["Birth of
Independence Monument"], architectural magazine "Kumbez", Almaty,
1998- Ôäû3, ÐüÐéÐÇ. 16-19.
[14] S.E. Azhigali, "Stone Memorials of nomads of Aral and Kaspij region as
historical and ethnographical source.", The integration of archaeological
and ethnographic research: Collection of scientific papers/ edited by
A.G. Selezneva, N.A. Tikhonova, N.A.Tomilova. - Nalchik, Omsk.
Publisher State Pedagogical University of Omsk, 2001.
[15] M.S. Bulatov, A.V. Arapov and Yu. G. Tuichieva, "Kosmogramy
rannih islamskih mavzoleev" [Kosmograms of Early Islamic
Mausoleums in Central Asia]. Moscow: International Academy of
Architecture, 2002
[16] Akishev, A., "Animal" Style of Saka at the Top of Development Culture
of Saka and Wu-sun of Kazakhstan in arheological collections of sentral
state museum of the Republic of Kazakhstan." Scientific catalogue-
ðÉlmaty: "Oner", ÐüÐéÐÇ. 33-34, 2011.
[17] Kliashtornyi, S.G., Sultanov, T.I., "Kazakhstan. Chronicles of a
Millenium", Alma-Ata, 1992.
[18] Bella Vainberg, "The Ethnogeography of Turan in Antiquity. VII
Century B.C. to VIII Century B.C. " Russian Academy of Sciences,
Institute of Ethnology and Anthropology named for N.N. Miklukho-
Maklay. Moscow: Vostochnaya Literatura, Russian Academy of
Sciences, 1999.
[19] Sarianidi, V.I., "Treasures of the Golden Hill", Moscow: Nauka I
Chelovechestvo, 1983.
[20] Oswald Spengler, "The Decline of the West . World Historical
Perspectives", Vol. 1. Moscow: Mysl-, 1993, pp. 342.
[21] Turenkulova, N., Turekulov, T., "The Golden Man and His View of the
World", Kumbez, Volume 3, 1998, Almaty, pp. 32-35.
[22] Arystanbek Mukhamediuly, "From the Golden Warrior to the Golden
Age. Dedicated to the 20th Anniversary of the Independence of
Kazakhstan", in the national newspaper Kazakhstanskaya Pravda, June
1, 2012, Almaty, 2012.
[23] Ergalieva, R.A., "Kazakh Art of the XX Century and Traditional
Spirituality", Digest of the International Scientific-Practical Conference,
Institute of Literature and Art named for M.O. Auezov, Almaty, "Ysh
Kian" Publisher, 2004.
[24] Karymsakov, A.Zh., "The Educational Dimension of the Works of
Artists of Contemporary Kazakhstan Who Depict National History".
Sbornik Nauchnikh Trudov, St. Petersburg State Academic Institute of
Painting, Sculpture and Architecture named for I.E. Repin, Volume 18,
July-September, 2011, St. Petersburg, Russia.
[25] Toynbee, A.J., "A Study of History" (translation from English), compiler
A.P. Ogurtsov; introduction, V.I. Ukolovoi; afterword, E.B.
Rashkovskii. Moscow: Progress, 1996. 608 pp.
[26] Shalabaeva, G.K., "The Role and Meaning of the Fine Arts in the
Integration into World Culture", Digest of articles from the Scientific-
Practical Roundtable "Paths to Integration of the Culture of Kazakhstan
onto the World Stage", Almaty: "Shelkovyi Put-", 2011.
[27] Sydykhanova, Z.A., "Abdrashyt Sydykhanov", Masters of Fine Arts of
Kazakhstan, Volume 3, Almaty, 2004.
[28] Omirbekov, B.E., "Agymsaly Duzel-khanov". Album. - Almaty: Oner,
2005.
@article{"International Journal of Business, Human and Social Sciences:64920", author = "Yerbol B. Kairanov and Arnur Zh. Karymsakov", title = "The Influence of Ancient Artifacts on Contemporary Culture (exemplified by the Painting and Sculpture of Kazakhstan)", abstract = "Petroglyphs, stone sculptures, burial mounds, and
other memorial religious structures are ancient artifacts which find
reflection in contemporary world culture, including the culture of
Kazakhstan. In this article, the problem of the influence of ancient
artifacts on contemporary culture is researched, using as an example
Kazakhstan-s sculpture and painting. The practice of creating
petroglyphs, stone sculptures, and memorial religious structures was
closely connected to all fields of human existence, which fostered the
formation of and became an inseparable part of a traditional
worldview. The ancient roots of Saka-Sythian and Turkic nomadic
culture have been studied, and integrated into the foundations of the
contemporary art of Kazakhstan. The study of the ancient cultural
heritage of Kazakhstan by contemporary artists, sculptors and
architects, as well as the influence of European art and cultures on the
art of Kazakhstan are furthering the development of a new national
art.", keywords = "ancient artifacts, Golden Man, nomadic culture,
sculpture, painting", volume = "6", number = "8", pages = "2326-7", }
