Abstract: Scolothrips longicornis Priesner is one of the
important predators of tetranychid mites with a wide distribution
throughout Iran. Life table and population growth parameters of S.
longicornis feeding on two-spotted spider mite, Tetranychus
turkestani Ugarov & Nikolski were investigated under laboratory
condition (26±1ºC, 65±5% R.H. and 16L: 8D). To carry of these
experiments, S. longicornis collections reared on cowpea infested
with T. turkestani were prepared. The eggs with less than 24 hours
old were selected and reared. The emerged larvae feeding directly on
cowpea leaf discs which were infested with T. turkestani. Thirty
females of S. longicornis with 24 hours age were selected and
released on infested leaf discs. They replaced daily to a new leaf disc
and the laying eggs have counted. The experiment continued till the
last thrips had died. The result showed that the mean age mortality of
the adult female thrips were between 21-25 days which is nearly
equal life expectancy (ex) at the time of adult eclosion. Parameters
related to reproductive table including gross reproductive rate, net
reproductive rate, intrinsic rate of natural increase and finite rate of
increase were 48.91, 37.63, 0.26 and 2.3, respectively. Mean age per
female/day, mean fertile egg per female/day, gross hatch rate, mean
net age fertility, mean net age fecundity, net fertility rate and net
fecundity rate were 2.23, 1.76, 0.87, 13.87, 14.26, 69.1 and 78.5,
respectively. Sex ratio of offspring also recorded daily. The highest
sex ratio for females was 0.88 in first day of oviposition. The sex
ratio decreased gradually and reached under 0.46 after the day 26 and
the oviposition rate declined. Then it seems that maintenance of
rearing culture of predatory thrips for mass rearing later than 26 days
after egg-laying commence is not profitable.
Abstract: In this article, by means of examination of Bolshevists
Turkistanskie Vedomosti" newspaper and “Erikti Oylar Organi" and
“Turkistanskyi Vestnik" newspapers which had been published
during 1917-1918, the fact that “Turkistan Governorship" established
in city of Kokand in November of 1917, within the framework of
former tsarist Russia Turkistan general-governorship, was the legal
government formed as a requisition of people of Turkistan was
proved. An examination of these two newspapers providing
information regarding history of “Turkistan Autonomy" but having
opposite to each other views makes it possible to obtain valuable data
concerning history of autonomy which was inappropriately
misrepresented during Soviet period.
Abstract: This article discusses the customs and traditions in
Turkestan in the late XIXth and early XXth centuries. Having a long
history, Turkestan is well-known as the birthplace of many nations
and nationalities. The name of Turkestan is also given to it for a
reason - the land of the Turkic peoples who inhabited Central Asia
and united under together. Currently, nations and nationalities of the
Turkestan region formed their own sovereign states, and every year
they prove their country names in the world community. Political,
economic importance of Turkestan, which became the gold wire
between Asia and Europe was always very high. So systematically
various aggressive actions were made by several great powers. As a
result of expansionary policy of colonization of the Russian Empire -
the Turkestan has appeared.
Abstract: In the national and professional music of oral tradition
of many people in the East there is the metric formula called “ussuli",
that is to say rhythmic constructions of different character and a
composition. Ussuli in translation from Arabic means the law. The
cultural contacts of the ancient and medieval inhabitants of the
Central Asia, India, China, East Turkestan, Iraq, Afghanistan,
Turkey, and Iran have played a certain role in formation of both
musical and dancing heritage of each of these people. During
theatrical shows many dances were performed under the
accompaniment of percussion instruments as nagra, dayulpaz, doll.
The abovementioned tools are used as the obligatory accompanying
tool in an orchestra and at support of dancing acts as the solo tool.
Dynamics of development of a dancing composition, at times
execution of technique of movement depends on various
combinations of ussuli and their receptions of execution.